The diverse work of legendary singer, composer and transgender activist Beverly Glenn-Copeland has been gathering momentum in recent years thanks to a reissue of the extraordinary folk-jazz explorations of his debut self-titled album (1970) and the widespread discovery of his acclaimed masterpiece Keyboard Fantasies (1986); an ahead-of-it’s-time synth exploration which somehow combines the essence of new-age minimalism, early Detroit techno and the warmth of traditional songwriting.
Throughout a fifty year recording career, Beverly Glenn-Copeland's music has defied categorisation and genre, its only consistency being the extraordinary fusion of vision, technology, spirituality and place.
Beverly Glenn-Copeland (Glenn to his friends and acquaintances) is now in his mid-70’s, Glenn-Copeland was born into a musical family and studied the classical piano repertoire from ‘cradlehood,’ listening to his father playing the piano four to five hours a day. He moved from his home-town of Philadelphia to study classical music at McGill University, Montreal in 1961 (focussing on the European song repertoire) before he suddenly felt called to write music that would weave influences from the myriad musical cultures he had come to love.
After many years of absence from the concert stage, Glenn-Copeland has resumed performing with his new band, Indigo Rising, in Canada and Europe. With great joy and appreciation Glenn-Copeland acknowledges his deep connection with the younger generations that are now so enthusiastically embracing his music!